About Gallery Chosun
64, Bukchon-ro 5-gil, Jongno-gu, Seoul, Korea
+82-2-723-7133

Gallery chosun opened its individual space in Sogyeok-dong, Jongno-gu, Seoul in June, 2004. Centered in contemporary art, Gallery chosun exhibits young artists introducing diverse flow of Korean contemporary art. Furthermore, Gallery chosun introduces young artists to the world stage participating global art fairs including Art Cologne, Miami Basel art fair.
Gallery chosun now reopened in the current address, 125 Sogyeok-dong, Jongno-gu, Seoul, leading Korean visual culture with creative rising artists. As a communicating stage covering various mediums and genres, Gallery chosun is marching with global perspective breathing with the public.


Past Exhibition
Membrane
2016. 10. 4. – 2016. 10. 28.

A Place for ‘Ambiguous Things’
These days, artists’ ‘migrations’ affect their ways of sustaining themselves and provide important physical conditions for their art. For this reason, some artists use material or tools that are easily transportable, while others actively incorporate their nomadic condition as the main context for their work. Owing to unstable conditions and situations in recent years, An Gyungsu has constantly moved and stayed in different locations. However, these changes of scenery in his surroundings have deeply influenced his practice. In moving his studio to the countryside of Ilsan, Gyeonggi province, there was another change in the landscape that the artist viewed and walked in. Unlike the city’s vacant lots in his previous works, An observes ‘the periphery’, the middle zone between (metropolitan) city and the satellite cities, from outside of the city. There is also a difference from his perspective, which is to include a wide field of view in a frame, instead of depicting magnified parts of objects or landscapes. If he captured the border zone of anonymous vacant lots in his previous works, his new work shows someone’s habitat that emulates a sense of private space. The familiar suburban landscapes that do not gain much attention, such as the spaces that substitute for the role of houses like a vinyl greenhouse storage, warehouse, and container, look somehow unstable because they implicate the possibility of development, in spite of the trace of humans.
Jo EunBi, Extracted from ‘A Way to Live in a Vacant Lot’ (2014)


gallery_weekend_logoShowcase Exhibition

Jeong Jeong Ju